Debbie Duncan may be considered the upper Midwest's "best-kept-musical secret", but she has become a local legend and treasure in her home of Minneapolis. Her personality, vitality, and versatility all contribute to that fact. She is a terrific entertainer, and this is certainly part of her appeal. Most importantly, however, "she's a superb vocalist, probably the finest in the area/" [Bob Protzman, St. Paul Pioneer Press]
Debbie hones her skills through years of experience. She studied classical voice for 14 years, including 4 years at Wayne State University. In Detroit she recorded back-up vocals for Mitch Ryder and Bob Seger. She then spent several years in the Los Angeles music scene recording back-up vocals for various artists and performing with her own jazz groups in popular nightclub settings.
She started collecting awards; Best Female Jazz Vocalist, Best Jazz Vocalist, Best Female Performer, Best Jazz Group, Best Jazz CD: Minnesota Music Awards; Best Female Jazz Vocalist: Minnesota Black Music Awards.
As her reputation grew, touring musicians began to learn about her and inviting her to sit in on their performances.
Debbie has sung with Bobby Watson and Horizon, Roy Hargrove, Bobby Lyle, Jack McDuff, John Hendricks, Mark Murphy, Chicago's legendary Von Freeman, Dee Dee Bridgewater, and Rececca Paris. She received rave reviews opening for greats such as Herbie Hancock, Stephan Grapelli, Miles Davis, Lou Rawls and Joe Henderson. She also sang on Jimmy McGriff's CD, "In a Blue Meed", where her track of Dr. Feelgood was the most-played tune on that CD.
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