Faced with the question of influences, Reina del Cid cites literary rather than musical heroes. 

She commands a flexibility of language reminiscent less of Regina Spektor or Ingrid Michaelson, artists she is often compared to, but more of Virginia Woolf or Sylvia Plath. Yet there is a Newtonian balance of forces in Reina del Cid’s band: for every droll phrase or inventive image pushing the music toward the realm of the cerebral, there is a corresponding musical contribution from the richly talented Toni Lindgren. These lyrical and musical forces have never combined more compellingly than in the band’s sophomore album, The Cooling, due out this May.

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